Marple

July 18, 2022
In this disappointing anthology of authorized pastiches featuring Agatha Christie’s Jane Marple, some contributors fail to play fair with readers by not sharing the clues the elderly amateur sleuth relies on, and almost none of the tales effectively display her gifts at understanding human nature. Standing head-and-shoulders above the rest is Lucy Foley’s “Evil in Small Places,” set in the small town of Meon Maltravers, where Miss Marple is visiting an old school friend. Her suspicion that such places may harbor “more terrible things” than in England’s metropolises is borne out the night the community commemorates “the immolation of seventeen Protestant martyrs,” when one person is found fatally stabbed, clutching an ominous threatening note. Lesser efforts include Alyssa Cole’s gimmicky “Miss Marple Takes Manhattan” and Elly Griffith’s “Murder at the Villa Rosa,” in which Miss Marple describes Professor Moriarty as a murderer who was a brilliant loner, a characterization at odds with Conan Doyle’s. Nothing in this volume matches Sophie Hannah’s success in her novels featuring Christie’s other iconic sleuth, Hercule Poirot.

August 1, 2022

Twelve female authors from several countries put their own spin on short stories featuring Agatha Christie's amateur sleuth, Miss Jane Marple. Crime fiction readers will recognize big names such as Ruth Ware, Lucy Foley, Val McDermid, and Elly Griffiths. While some stories feature traditional settings such as Ware's "Miss Marple's Christmas" and McDermid's "The Second Murder at the Vicarage," others set the elderly spinster in unexpected territory. Jean Kwok's "The Jade Empress" has her on a cruise ship on the way to Hong Kong, and Alyssa Cole takes her to New York City in "Miss Marple Takes Manhattan." In all the stories, Miss Marple solves cases based on her observations of life and people in the village of St. Mary Mead. VERDICT Readers will be eager to try this anthology as a dozen celebrated crime fiction authors try their hand at writing traditional short stories featuring Christie's amateur sleuth. As in any collection, some stories stand out, but they all capture the character of the shrewd, always underestimated Miss Marple.--Lesa Holstine

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Starred review from August 1, 2022
Twelve contemporary authors, all acclaimed crime writers, bring Agatha Christie's beloved Miss Jane Marple to print for the first time in 45 years, beautifully reinvigorating one of mystery fiction's most enduring sleuths. As Alyssa Cole puts it in ""Miss Marple Takes Manhattan,"" one of the volume's highlights, ""Miss Marple was always supposed to be in one place, as if she were a candlestick or a sofa cushion; however, she has the oddest habit of ending up exactly where she wanted to be instead."" And so it is here, with Marple in New York in the 1950s, attending the dress rehearsal of a play based on a novel by her nephew, Raymond, who is appalled to learn that the play will be staged not on Broadway but on West Broadway, in a production directed by a blacklisted director. ""Aunt Jane"" is fine with all that but quickly senses that something is rotten in the wilds of downtown. So it is as well when she cruises to Hong Kong (""The Jade Empress,"" by Jean Kwok) and shrewdly susses out two shipboard murders. The stories set in Marple's beloved St. Mary Mead--Val McDermid's ""The Second Murder at the Vicarage"" and Ruth Ware's ""Miss Marple's Christmas"" among them--are equally attuned to our heroine's wry sagacity and to her ability to detect evil intent wherever it lurks, including under the mistletoe. A thoroughly entertaining collection for all Christie devotees.HIGH-DEMAND BACKSTORY: Combining the enduring appeal of Miss Marple with some of today's most popular mystery writers could hardly go wrong, and it doesn't here.

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